#BEATLES REVOLVER CD COVER PROFESSIONAL#

And we're talking this morning about the fiftieth anniversary of Roxy Music and maybe in 1972 Roxy Music wasn't on the list and over time that changes so much. Manzanera: Well, I was gonna say Nick Drake, yeah.īaltin: At the time no one knew who Nick Drake was and now every music head is a fan. But are they on the list or not? It depends who you're talking to.īaltin: The list changes over time too. There's just so many I love, Spirit album, Twelve Dreams of Dr. As a music geek, what are your two or three albums that for you are not on the list? īaltin: I think one of the great things as a music fan is being able to champion those albums you find underrated. I'm doing it with a guy's who famous here as a comedian. And you have to talk about why you're enthusiastic about a particular album. The album has been certified 5× platinum by the Recording Industry Association of America.Phil Manzanera: The podcast is called Not on The List, where two or three people talk about albums that they think are great that people don't really know about.

In 2013, after the British Phonographic Industry had changed its sales award rules, Revolver was certified platinum in the UK. The album was ranked first in Colin Larkin's book All-Time Top 1000 Albums and third in Rolling Stone magazine's list of the 500 greatest albums of all time. With the restoration of the three omitted tracks for its international CD release in 1987, many music critics recognise Revolver as the Beatles' best album, surpassing Sgt. The album was influential in advancing principles espoused by the 1960s counterculture and in inspiring the development of pop music into subgenres such as psychedelic rock, electronica, progressive rock and world music. Revolver's cover artwork, designed by Klaus Voormann, won the 1967 Grammy Award for Best Album Cover, Graphic Arts. Together with the children's novelty song 'Yellow Submarine', 'Eleanor Rigby' became an international hit when issued as a double A-side single. The record topped the UK Albums Chart for seven weeks and America's Billboard Top LPs list for six weeks. The release there coincided with the Beatles' final concert tour, which was marred by the controversy surrounding John Lennon's remark that the band had become 'more popular than Jesus'. In the US, it was the last Beatles album to be subjected to Capitol's policy of altering the band's intended running order and content. In the UK, Revolver's fourteen tracks were released to radio stations throughout July 1966, with the music signifying what author Ian MacDonald later described as 'a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind'. The sessions also produced a non-album single, 'Paperback Writer' backed with 'Rain', for which the Beatles filmed their first on-location promotional films. Some of the changes in studio practice introduced by Revolver, particularly ADT, were soon adopted throughout the recording industry. With no thoughts of reproducing their new material in concert, the band made liberal use of studio techniques such as varispeeding, reversed tapes, close audio miking and automatic double tracking (ADT), in addition to employing musical instrumentation outside of their standard live set-up. The songs reflect the influence of psychedelic drugs such as LSD and the increasing sophistication of the Beatles' lyrics to address themes including death and transcendence from material concerns.

#BEATLES REVOLVER CD COVER PROFESSIONAL#

The Beatles recorded the album following a three-month break from professional commitments at the start of 1966, and during a period when London was feted as the era's cultural capital. The album was reduced to eleven songs by Capitol Records in North America, where three of its tracks instead appeared on the June 1966 release Yesterday and Today. The album's diverse sounds include tape loops and backwards recordings on the psychedelic 'Tomorrow Never Knows', a classical string octet on 'Eleanor Rigby', and Indian-music backing on 'Love You To'. Released on 5 August 1966, it was the Beatles' final recording project before their retirement as live performers, and marked a progression on their 1965 release Rubber Soul in terms of the group's readiness to experiment in the recording studio. Revolver is the seventh studio album by the English rock band the Beatles.

Beatles revolver cd cover